Abby is raised in an orphanage until she is sixteen, when it is discovered that she has an aunt, who comes to claim her.
Now, isn’t this something you would have figured out before you went to claim your niece? Also, she’s sixteen, so it’s not as if she would need constant supervision. She’s also been in an orphanage, so I’m sure she can fend for herself. I think I’m over-thinking a comic book for young girls.
She sends Abby out with the maid to go shopping and get her hair did, and wonder of wonders, she’s pretty! But . . . can she sing? Of course she can, with a little work. Aunt Magda decides to invest in her niece – lessons, a trainer, even finishing school!!
This is also called “older people living vicariously through the young.” It’s sad that Abby finds this sort of sexism kind – as if the only endgame for a young woman (an aspiring chanteuse, no less) is to snare a rich man.
Abby makes her debut, and everyone finds her stunning, including Mr. Randolph, who is a fine catch!
Sure, he’s a catch . . . if you’re into dudes who could be your grandfather! Also, need I remind you that this girl, Abby, is SIXTEEN. I know the median age for marriage was much lower in 1949 than it is today, but still – EW.
A serious sculptor is also interested in the young Abby, for his new work called “Spring in Flight.” The man chasing Abby will be played by model and wrestler Cal Martin, who is only interested in a serious acting career. He pays no attention to Abby when they first meet, except for letting her lean on him a little when she tires from modelling. Then, in her dreams . . .
Oh, boy, Abby! *fans self*
Abby is still seeing RichGrandpa, and probably having to sit on his knee (not shown). She only has eyes for Cal, but he doesn’t seem interested – thinks she is a spoiled little rich girl, as she comes to the studio in a hired car. Abby protests.
Wow, Cal is rather intuitive – for a pretty boy. Abby is so grateful to be out of the orphanage that she will explain away anything her aunt does, including auctioning off her V-card.
After this, Cal is more receptive towards Abby, and indeed, they have a day on the town when the sculptor takes a sick day. They are caught, however, by Aunt Magda, and she is PISSED that a common wrestler should have put his meaty paws on her human Fabergé egg!
If RichGrandpa can’t take his little dolly seeing New York sights with a young man for one day where they didn’t even mack on each other (they went to the AutoMat, how scandalous, you guys!), RichGrandpa can stuff it. Well, he can stuff it anyway, for being interested in a relationship that is rather pedo.
Time passes, and Aunt Magda has another hare-brained scheme – let’s get Abby into the movies! She plans an “accidental” meeting with the movie producer at the unveiling of the sculpture. And he loves it! For the man, not Abby.
NO one has seen Cal, though – oh, wait, here he is. The director makes his offer, and Cal asks to speak to Abby alone. He asks her if she’s married to RichGrandpa; she isn’t, and how dare he ask, after he walked out on her?
The famous last words of the wife of “Jungle Billy.”
Aunt Magda is an awful person. I mean, he’s standing right THERE; she has no filter, just like Chevy Chase!
OH, but now, she’ll make his decisions for him, because he’s going to be a rich movie star. Until she finds out that he has to work with monkeys and swing from trees, because that’s not something successful people do.
So, Abby gets the man of her literal dreams. Hurrah. Now you guys should find a way to dispose of Aunt Magda and get the proceeds from her nightclub, and all will be well!